Guest performance
Philharmonie Berlin, Chamber Music Hall (Berlin)
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Vocal Music concerts in season 2024/25 or later
Be transported by the extraordinary sounds of the guitar with a free evening of unique arrangements of timeless classical works, performed by celebrated alumni from Guildhall School.
Award-winning lieder with Duo Lorenzen-Ekberg.The legendary concert singer and educator Dorothy Irving (1927–2018) left a powerful impression on the Swedish music scene. Her artistry was bold and meticulous, with a deep dedication to the expressive power of lyrics and music.Before they passed away, she and her husband Lars Fjellstedt founded a scholarship administered by the Royal Swedish Academy of Music to “promote and preserve the art of the lied.” The scholarship is now being presented for the second time and goes to Duo Lorenzen-Ekberg, comprising soprano Kathrin Lorenzen and pianist Oskar Ekberg: “for their breathtaking lightness and cooperative, playful and in-depth presentation of historic and human dimensions in a modern, international vocal repertoire, and for revealing the existential depth of Scandinavian lieder.”Kathrin Lorenzen, born in Flensburg in 1994, has become established as a popular soloist and concert vocalist in Germany and Scandinavia. In January 2024, she won the Royal Swedish Academy of Music’s Soloist Prize. In May 2024, Kathrin won second place and the audience prize in the international Mirjam Helin Competition in Helsinki, in competition with 485 singers from 57 countries.Oskar Ekberg, born in 1977, has been an in-demand soloist, chamber musician and orchestral musician nationally and internationally since his debut with the Swedish Radio Symphony Orchestra in 2004. He has garnered significant appreciation for his dedication and recordings of Swedish music, including all of Johan Helmich Roman’s harpsichord suites, earning him a nomination for a Grammis Award in the category of Best Classical Album.
In their first joint programme, Akamus and the award-winning Basel vocal ensemble Voces Suaves present musical highlights from the generation of German composers before Johann Sebastian Bach and thus the impressive musical world into which he was born. The programme includes works by the extended Bach family as well as by composers who are largely unknown today and who preceded the later Thomaskantor in his important positions in Mühlhausen, Weimar and Leipzig. From the oeuvre of Johann Sebastian Bach, the double-choir motet ‘Der Geist hilft unser Schwachheit auf’ will be performed..
Oum El Ghaït Benessahraoui, a Moroccan singer, combats stereotypes against Muslim women and Arabs through her music. Her charismatic stage presence, adorned in vibrant attire, evokes a queen from Arabian Nights. Yet, her music blends Moroccan sounds with jazz, soul, and electronic elements. Her lyrics and music, grounded in the present, reflect modern Morocco and address contemporary issues.
Inspired by Clara Schumann’s encounter with several of her female contemporaries, Franco-Belgian soprano Marianne Croux, together with Pierre and Théo Fouchenneret, explores a Romantic Europe torn between passionate fervour and modernist dazzle.
Commissioned by the Istanbul Music Festival, pianist and composer Fazıl Say created "Dünya Anne" (Mother Earth), a song cycle based on Turkish women poets, to mark the Turkish Republic's centennial. The cycle reflects on Turkey's past and present and explores themes of inner struggles, peace, kindness, light, and enduring hope. Serenad Bağcan, whose voice Say had "searched for years," performs the songs.
Composer, multi-instrumentalist, and lyricist Ben LaMar Gay creates brilliant electro-acoustic collages in which sound, color, and space interact through the prism of folklore. Building on an improvisational foundation, his music expands beyond genre limits. At the Pierre Boulez Saal, he will lead an ensemble of his international family of collaborators in a program that includes new compositions from his ongoing series The Manipulation of Lines and Breff.
The Concertgebouw’s famous Main Hall is one of the best concert halls in the world, well-known for its exceptional acoustics and special atmosphere. In the Main Hall, you will feel history. Here, Gustav Mahler conducted his own compositions, as did Richard Strauss and Igor Stravinsky. Sergei Rachmaninoff played his own piano concertos in the Main Hall. This is also where musicians such as Leonard Bernstein, Vladimir Horowitz and Yehudi Menuhin gave legendary performances. Right up to now, the Main Hall offers a stage to the world’s best orchestras and musicians. Buy your tickets now and experience the magic of the Main Hall for yourself!
Sarod Grand Master Amjad Ali Khan comes together with his two sons for a concert that spans continents and cultures. Sarod Grand Master Amjad Ali Khan was born to a family steeped in Indian classical music and is regarded as one of the undisputed icons of the music world, bringing a new and yet timeless interpretation to the technique of playing the Sarod. His sons Amaan Ali Bangash and Ayaan Ali Bangash are virtuoso performers in their own right, and tonight they come together with conductor (and regular collaborator) Lidiya Yankovskaya and the LPO at the centre of a concert that spans continents and cultures – from a flamboyant new overture by Indian-American composer Reena Esmail to the hugely popular Bollywood film scores of AR Rahman, the composer they call the ‘Mozart of Madras’.
Vogue Germany chose Boviy as one of the most exciting newcomers of 2023 and describes her EP »The Upside Down« as a »balancing act between creative reincarnation and self-discovery, an act of liberation and declaration of war on old-fashioned role models and toxic ideals of beauty.« And that puts it in a nutshell quite well because Boviy no longer wants to be dictated to by a male-dominated music industry – and makes delightfully unorthodox pop with powerful lyrics, lush arrangements and, above all, boundless energy. Her singles and EPs already released give rise to great expectations from her debut album »When the Bubble Pops«: »The Upside Down« and »The Right Way Up« are set up as antitheses. If she is still fighting her demons on the first EP, she has fled from all of them on the second and sings freely: »I’m good all on my own!« Boviy’s songs are disarmingly honest, all stories from her own life, nothing sugar-coated, nothing left out or added, everything experienced herself, she sings without mincing her words. Incidentally, she not only writes her songs herself, but is also behind the artwork, conceptualises and edits her music videos herself and has set up her own label. However, she likes being on stage singing best!
Gabriel Fauré and Claude Debussy were both influenced by the same musical movement. Fauré's orchestral suite from his incidental music to "Pelléas et Mélisande" is considered his finest orchestral work. Israeli conductor and composer Ohad Ben-Ari, based in Berlin, will premiere his song cycle "Paterson" with the Hamburg Symphony. The cycle is based on Ron Padgett's poetry from Jim Jarmusch's film. Olivier Messiaen's "Poèmes pour Mi" is a tribute to his wife Claire Delbos, written during her pregnancy. Smetana's "The Moldau" will be performed, reflecting the fact that the Vltava (Moldau) river contributes more water to the Elbe than the Elbe's own source.
The Concertgebouw’s famous Main Hall is one of the best concert halls in the world, well-known for its exceptional acoustics and special atmosphere. In the Main Hall, you will feel history. Here, Gustav Mahler conducted his own compositions, as did Richard Strauss and Igor Stravinsky. Sergei Rachmaninoff played his own piano concertos in the Main Hall. This is also where musicians such as Leonard Bernstein, Vladimir Horowitz and Yehudi Menuhin gave legendary performances. Right up to now, the Main Hall offers a stage to the world’s best orchestras and musicians. Buy your tickets now and experience the magic of the Main Hall for yourself!
The flamboyant Cameron Carpenter takes on two musical monuments daringly arranged by himself: Mussorgsky’s phantasmagorias and Bach’s Goldberg Variations, the alpha and omega of his oeuvre.
Inspired by György Ligeti's microtonality, Lithuanian composer Justė Janulytė's "Iridescence" features vibrant soundscapes and ever-changing harmonies. The spiraling sound, evoking infinity and eternal light, connects with the ancient text in Helmut Lachenmann's "Consolation." Josef Gabriel Rheinberger's "Cantus missae" shares this theme of eternal faith, showcasing the Liechtenstein composer's emphatic style.
"It is a simple and tremendous problem of life: that of fidelity", is how Hugo von Hofmannsthal described the core of their third opera together, Ariadne auf Naxos, in a letter to Richard Strauss. To live does not mean to persevere and hold on to what has been lost. If you want to live, you have to let go, forget, get over yourself - constantly transform yourself. This is what a young opera composer experiences in this work when he is confronted with the stubborn wishes of his patron; just like the protagonist of his opera, Ariadne, who, abandoned by her lover, Theseus, expects only death. But things turn out differently... Strauss and Hofmannsthal let the opposites collide: Tragedy and comedy, light music and grand opera, playfulness and seriousness. Thus, in the mirroring of art and life, between gaze and gaze, the unfathomable mystery of transformation takes place. Musical Direction: Kent Nagano Production and stage: Dmitri Tcherniakov Dramaturgy: Angela Beuerle, Michael Sangkuhl
Opera Arias, Zarzuelas and Latin American Songs
Anyone who delves into George Frideric Handel’s vocal and instrumental music will find a wealth of treasures. Elegance, virtuosity, delicacy – all this can be discovered in an endlessly inventive world of musical expression. In a programme with the Chamber Orchestra of Europe and conductor Robin Ticciati, you can experience some of Handel’s most beautiful arias and orchestral pieces from operas and other works. Iestyn Davies, one of the leading countertenors of our time, is the soloist. Wolfgang Amadeus Mozart was a great admirer of Handel. His festive and exuberant “Haffner Symphony” concludes the programme.
It is considered one of the great unfinished works in the history of music: Wolfgang Amadeus Mozart’s »Great Mass« in C minor. He probably composed it following his wedding to singer Constanze Weber; unlike with his Requiem, at least Mozart’s death did not prevent the completion of the mass. Although remaining fragmentary, this outstanding mass setting is touching to this day due to its direct expressive power. With his Le Concert des Nations established in 1989, Catalan gambist, music researcher and conductor Jordi Savall had already often been a guest in Hamburg. As an expert in early music and historical performance practice, he consistently gives the audience new listening experiences – in particular with frequently played works. Because Savall is not only interested in music from the Middle Ages and the Renaissance, but he also elicits new aspects from the seemingly well-known classics. The ensemble and its conductor recently demonstrated this in 2021, for instance, with their Beethoven cycle; now, they tackle Mozart’s »Great Mass«.
For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!
"It is a simple and tremendous problem of life: that of fidelity", is how Hugo von Hofmannsthal described the core of their third opera together, Ariadne auf Naxos, in a letter to Richard Strauss. To live does not mean to persevere and hold on to what has been lost. If you want to live, you have to let go, forget, get over yourself - constantly transform yourself. This is what a young opera composer experiences in this work when he is confronted with the stubborn wishes of his patron; just like the protagonist of his opera, Ariadne, who, abandoned by her lover, Theseus, expects only death. But things turn out differently... Strauss and Hofmannsthal let the opposites collide: Tragedy and comedy, light music and grand opera, playfulness and seriousness. Thus, in the mirroring of art and life, between gaze and gaze, the unfathomable mystery of transformation takes place. Musical Direction: Kent Nagano Production and stage: Dmitri Tcherniakov Dramaturgy: Angela Beuerle, Michael Sangkuhl